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John Fryer did the Morning Program circa 1979-81 when the station was bought by Yossie Goldberg after 6IX dumped Racing in 1977.Will send the page to Steve Gordon as he was the Music Director in tghe early 80’s..
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So the baby daughter would be in 30s by now.
This dude could have done with a rurotard royalty payment to stop sending random letters and records.
I hope the postie didn’t fold it in half to get through the letterbox.
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I can’t find it in myself to snark on this relic of a simpler time.
It’s so well preserved too.
And now the only mention of Mr Bissell’s musical oeuvre on the Internet.
At least as far as I can see.
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He would be “the Bizzle” these days. Perhaps even “The Sizzle Bizzle.
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I mean Rizzle Bizzle, or Dick Bizzle, aka Dizzle Bizzle.
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I hope no-one has a grizzle about this post.
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I got your toilet paper. For some reason.
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Har har har! Might be some Nollamara action in yer office today…
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Dude, are we going to have a problem?
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Fo shizzle my nizzle!
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Back in them days you didn’t have the Internet to get the fruit of your talents out to the world.
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Johnny Fryer was the twitter of 1980.
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You mean “Twit”.
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I thought graffitti was the twitter of 1980.
Telecom party lines were the Facebooks.
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CB radios were the chatrooms…
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And the personal columns in the papers the RSVP…
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nice table cloth
An important not worst, does this letter confirm that Perth had at least one vinyl record pressing plant?
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That’s not a table cloth. As a matter of fact it’s a double album of pure shite featuring Wattsie. Wattsie of Rissole fame.
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14 September 2011
http://www.abc.net.au/local/audio/2011/09/14/3317616.htm
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No, he would’ve utilised ther Custom Presing services of of one of the Majors in the Eastern States – most likely EMI’s Studios 301.
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Like those dreary Telethon albums put out from 1971 to (I think) 1978, available from your local Shell servo.
Obviously this predated the current habit of modern petrol station convenience stores having their CD and DVD counters…never saw your local Golden Fleece or Ampol (or Shell, for that matter) sell LPs or cassettes back in the day, though BP would have Smurfs figurines back around 1980…dunno if they had the Smurfs album though…
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Golden fleece used to in the 60’s would sell singles of cover versions of latest hits by anonymous studio mucisions , and Ampol had the famous Flexi-Disc of God Bless Australia/Waltzing Matilda. The Telethon/Appealathon Albums were as a rsult of Ch 9 & 7 doing a deal with EMI to release a compiliation Album with proceeeds going to Telethon – and I believe a later version of the Telethon CD sold through Trx was basically a MOR Doubnle CD repackaged with a new cover.
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All of which have flooded the second-hand record stores and forever will remain unsold. Heck, there were one or two of these in my late Dad’s record collection (I’m afraid to say that much of his music taste was rather ropey: I had to find out about good music for myself!).
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I used to collect those Telethon records. Without them I would not have discovered the wonderful Gilbert Becaud, the international guest of honour one year. Great song:
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We had his album at home. He was great.Must get him for the ONKYO.
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I could’ve hung onto them after Dad died—he had the ’72, ’73, ’74 and ’76 versions—but I let his partner hang on to them.
But they can be easily enough be sourced at Bower Bird Records, I think. Full of typical MOR AM piffle (barely even any decent classic AM Pop), though the ’76 one did have a fair amount of the latter, though they were all 1975 hits. Which was a huge improvement on the earlier ones, featuring songs that were big hits several years beforehand, like Cliff Richard’s “Congratulations” on the Sounds Fantastic 1973 compilation, featuring the fresh sounds of today…1968.
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Plastic passion in Maylands, not worst
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I recall either 6PR or 6IX playing the single one day and it backtracked where he sings “Ok” which went on for several seconds before the stylus was moved. I don’t think it was heard on air after that.
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Finally, the mystery is solved. But why was DizBiz holidaying in California with his labrador retriever?
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Bastard. I thought you really had found him.
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I know, but don’t write me off yet. I haven’t looked.
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I don’t believe he wrote The Pajama Game if that will narrow things down a bit.
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Neither do I, but I’m less sure he wasn’t a CIA agent.
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Ahh. Carnarvon – Exmouth – CIA. Nuff said. I assume “I love you, I love you” is some Cold War code.
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numbers station?
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Who can forget his other hits ‘John Has a Long Moustache’, and ‘The Cow Has Left the Barnyard’?
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“…I repeat, the cow has left the barnyard…”
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I’m pencilling in Sean Connery for the film of his story,
“The Hunt for Dick Bizzle.”
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Nothing to with an ARJ Bissell at the Dept of Ag research station in Carnarvon?
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I have a feeling there’s going to be some tragic resolution to this story. Waiting, waiting waiting for that call from Johnny Fryer, aka “Ice Station Zebra”.
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No doubt that the lyrics to Bissell’s ‘Top of the Tree’ (third song on side one) indicate the locations of either KGB sleeper cells or secret Martian bases:
You’ve got charm and personality
Like a charge of electricity
With your guitar humming on your knee
And your voice a-wailing just off key
You’ll make it to the top of the tree
You’ll make it all the way with me….
You have fascinating geography
Undulating femininity
Everything considered finally
You have that rare ability
Gonna make it to the top of the tree….
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Where is Bathos?
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Captain Oveur: You ever been in a cockpit before?
Joey: No sir, I’ve never been up in a plane before.
Captain Oveur: You ever seen a grown man naked?
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