Which isn’t really a surprise. Perth’s only genuine architectural movement Shedism is referenced in myriad ways here. The shed shape, the (transparent?) corrugated iron motif on the top floor, the disdain towards location and heritage buildings. That Koolhaas has finally come out as a Shedistophile, also not surprising. The only thing it’s not is ‘bold and distinctive’. It also has a touch of traditional Noah’s Ark representation about it, which being nautical design Shedism also not surprising. The artist impression didn’t add the logo.Now corrected.